'Art is an ever evolving and hopefully a lifelong process for me'
Since childhood I have enjoyed drawing and making things. Over the years I used a variety of creative skills in my career including restoration, specialising in wood carving and gilding.
Watercolour and pen & ink was one of my main painting mediums over the years, taking on illustration and portrait commissions, whilst I worked as an Arts Educator.
I still love to paint and experiment in different media. However, my work has nearly always involved photography as a starting point. I have come to the conclusion that there is nothing wrong with using photography as part of a process. In fact, at Art school we were actively encouraged to do so. It was an exciting time we lived in then and now we can see it's fruition in this digital age. If you look at my sketchbooks during open studios you will see the progression and thought processes derived from this media and how it can lead up to a finished work as well as sketches from life.
Individually, the photographic and the printmaking processes produce their own fascinating and often unexpected results, whilst allowing artist's to push the boundaries of the materials. These processes have helped me define form, texture and pattern in the process of image making.
As an artist I am interested in environmentally conscious works using specific materials to explore our relationships to the spent resources around us. I have been actively relief printmaking with re-used polystyrene to highlight the inadequacies of our recycling facilities and overproduction of waste. I have run print workshops themed around this and exhibited my own prints made using this material.
Currently I use intaglio and relief printing techniques such as; etching, drypoint, collagraph, linocut and Monoprint.
'When an Artist studies their surroundings, they are not only observing but noticing something. Also, they may be aware that their observations are coloured with their own ideas and or physiological impressions, which can impact on their approach to what they are creating, giving it is character.
In my more recent work I have been exploring the personal meanings of objects and places and what they convey to us over time. I like the idea that the context of an artefact or a place can have a powerful influence on our understanding of it and the emotional responses that we are likely to have towards it’.
Watercolour and pen & ink was one of my main painting mediums over the years, taking on illustration and portrait commissions, whilst I worked as an Arts Educator.
I still love to paint and experiment in different media. However, my work has nearly always involved photography as a starting point. I have come to the conclusion that there is nothing wrong with using photography as part of a process. In fact, at Art school we were actively encouraged to do so. It was an exciting time we lived in then and now we can see it's fruition in this digital age. If you look at my sketchbooks during open studios you will see the progression and thought processes derived from this media and how it can lead up to a finished work as well as sketches from life.
Individually, the photographic and the printmaking processes produce their own fascinating and often unexpected results, whilst allowing artist's to push the boundaries of the materials. These processes have helped me define form, texture and pattern in the process of image making.
As an artist I am interested in environmentally conscious works using specific materials to explore our relationships to the spent resources around us. I have been actively relief printmaking with re-used polystyrene to highlight the inadequacies of our recycling facilities and overproduction of waste. I have run print workshops themed around this and exhibited my own prints made using this material.
Currently I use intaglio and relief printing techniques such as; etching, drypoint, collagraph, linocut and Monoprint.
'When an Artist studies their surroundings, they are not only observing but noticing something. Also, they may be aware that their observations are coloured with their own ideas and or physiological impressions, which can impact on their approach to what they are creating, giving it is character.
In my more recent work I have been exploring the personal meanings of objects and places and what they convey to us over time. I like the idea that the context of an artefact or a place can have a powerful influence on our understanding of it and the emotional responses that we are likely to have towards it’.
